Tuesday, 15 October 2019

Review: Two Films From Rosine Mbakam Explore West African Women’s Identity



By TEO BUGBEE

The Two Faces of a Bamiléké Woman ()

Opening October 16, 2019

from NYT Critics' Pick https://ift.tt/35whfjz
via IFTTT

Review: Two Films From Rosine Mbakam Explore West African Women’s Identity



By TEO BUGBEE

Chez jolie coiffure ()

Opening October 16, 2019

from NYT Critics' Pick https://ift.tt/35whfjz
via IFTTT

Thursday, 10 October 2019

‘Parasite’ Review: The Lower Depths Rise With a Vengeance



By MANOHLA DARGIS

Parasite (R)

Opening Unknown Date

from NYT Critics' Pick https://ift.tt/2M6d7iC
via IFTTT

‘In My Room’ Review: Alone Again, Unnaturally



By JEANNETTE CATSOULIS

In My Room ()

Opening October 11, 2019

from NYT Critics' Pick https://ift.tt/2ou9hGU
via IFTTT

Thursday, 3 October 2019

‘Pain and Glory’ Review: Almodóvar’s Dazzling Art of Self-Creation



By MANOHLA DARGIS

"Pain and Glory" (R)

Opening October 4, 2019

from NYT Critics' Pick https://ift.tt/2AR4Ict
via IFTTT

Tuesday, 1 October 2019

‘Celebration’ Review: The Final Stand of Yves Saint Laurent



By GLENN KENNY

Celebration ()

Opening October 2, 2019

from NYT Critics' Pick https://ift.tt/2mKAi8c
via IFTTT

Friday, 27 September 2019

‘The Irishman’ Review: The Mob’s Greatest Hits, in a Somber Key



By A.O. SCOTT

The Irishman (R)

Opening November 27, 2019

from NYT Critics' Pick https://ift.tt/2lKC4pg
via IFTTT