Thursday, 28 March 2019

‘The Burial of Kojo’ Review: A Dazzling Modern Fable



By GLENN KENNY

The Burial Of Kojo ()

Opening March 29, 2019

from NYT Critics' Pick https://ift.tt/2YsK113
via IFTTT

‘Relaxer’ Review: Help! He’s Sitting and He Can’t Get Up



By JEANNETTE CATSOULIS

Relaxer ()

Opening Unknown Date

from NYT Critics' Pick https://ift.tt/2TGv4Vt
via IFTTT

‘Diane’ Review: A Vibrant Tale of Love, Sisterhood and Decline



By JEANNETTE CATSOULIS

Diane ()

Opening March 29, 2019

from NYT Critics' Pick https://ift.tt/2YwI0kk
via IFTTT

Wednesday, 27 March 2019

‘The Brink’ Review: Considering the Unlikely Charm of Stephen Bannon



By A.O. SCOTT

The Brink ()

Opening March 29, 2019

from NYT Critics' Pick https://ift.tt/2TZ7acA
via IFTTT

Thursday, 21 March 2019

‘Us’ Review: Jordan Peele’s Creepy Latest Turns a Funhouse Mirror on Us



By MANOHLA DARGIS

Us (R)

Opening March 22, 2019

from NYT Critics' Pick https://ift.tt/2TRMHXi
via IFTTT

‘Roll Red Roll’ Review: A Horrifying Assault in a Small Ohio Town



By JEANNETTE CATSOULIS

Roll Red Roll ()

Opening Unknown Date

from NYT Critics' Pick https://ift.tt/2Oih6rI
via IFTTT

‘Maze’ Review: A Prison Break and a Confidence Game



By JEANNETTE CATSOULIS

Maze ()

Opening March 22, 2019

from NYT Critics' Pick https://ift.tt/2Hx3XKX
via IFTTT

Wednesday, 20 March 2019

‘Us’ Review: Jordan Peele’s Creepy Latest Turns a Funhouse Mirror on Us



By MANOHLA DARGIS

Us (R)

Opening March 22, 2019

from NYT Critics' Pick https://ift.tt/2OhNdHT
via IFTTT

Tuesday, 19 March 2019

‘Buddy’ Review: Who’s a Good Pup? This Pack of Lifesavers



By WESLEY MORRIS

Buddy ()

Opening March 20, 2019

from NYT Critics' Pick https://ift.tt/2W8mK2n
via IFTTT

Thursday, 14 March 2019

‘The Juniper Tree’ Review: A Young Björk Enchants in Her Film Acting Debut



By GLENN KENNY

The Juniper Tree ()

Opening Unknown Date

from NYT Critics' Pick https://ift.tt/2F9CVqh
via IFTTT

‘The Eyes of Orson Welles’ Review: An Idiosyncratic Look at an Enigmatic Master



By GLENN KENNY

The Eyes of Orson Welles ()

Opening March 15, 2019

from NYT Critics' Pick https://ift.tt/2O2wIiS
via IFTTT

‘Knife + Heart’ Review: Gay Porn and Murder in ’70s Paris



By GLENN KENNY

Knife+Heart ()

Opening March 15, 2019

from NYT Critics' Pick https://ift.tt/2FbCj3J
via IFTTT

Wednesday, 13 March 2019

‘Ash Is Purest White’ Review: Love Smolders and Crime Pays in a Changing China



By A.O. SCOTT

Ash Is Purest White ()

Opening March 15, 2019

from NYT Critics' Pick https://ift.tt/2FaP925
via IFTTT

Friday, 8 March 2019

Thursday, 7 March 2019

‘Gloria Bell’ Review: Love Is in the Air for a Transcendent Julianne Moore



By MANOHLA DARGIS

Gloria Bell (R)

Opening March 8, 2019

from NYT Critics' Pick https://ift.tt/2TlvMvU
via IFTTT

‘Babylon’ Review: A Clear View of Black Londoners When Few Films Saw Them



By WESLEY MORRIS

Babylon ()

Opening March 8, 2019

from NYT Critics' Pick https://ift.tt/2C4yQBN
via IFTTT

‘3 Faces’ Review: On the Road in Iran (and Off It, Too)



By MANOHLA DARGIS

3 Faces ()

Opening March 8, 2019

from NYT Critics' Pick https://ift.tt/2Hh5R14
via IFTTT

‘Island of the Hungry Ghosts’ Review: Migration and Trauma on Christmas Island



By JEANNETTE CATSOULIS

Island of the Hungry Ghosts ()

Opening March 8, 2019

from NYT Critics' Pick https://ift.tt/2TD1Quw
via IFTTT

Wednesday, 6 March 2019

‘Black Mother’ Review: Exploring the Roots of Life Itself



By GLENN KENNY

Black Mother ()

Opening March 8, 2019

from NYT Critics' Pick https://ift.tt/2EH1qK1
via IFTTT

‘An Elephant Sitting Still’ Review: Bleak, Graceful Realism



By A.O. SCOTT

An Elephant Sitting Still ()

Opening March 8, 2019

from NYT Critics' Pick https://ift.tt/2TlXcSx
via IFTTT